Chapter 7 - Clara Pike's Warning

Clara Pike was twenty-six, wore steel-toed boots, and kept her brown hair braided down her back. She agreed to meet me in the parking lot behind a hardware store because, as she put it, “There are no cameras that belong to Grant.”
“You know who I am,” I said.
“Everybody knows who you are.”
“Do you know what happened to your father?”
She looked past me toward the road. “He went to work one night and never came home.”
“When?”
“The night before your mother crashed.”
That was the first clean answer I had received in Cedar Vale.
Clara handed me a paper bag. Inside was a rusted key and a photograph of a white utility truck parked near the quarry.
“My father took the picture,” she said. “He gave it to me and told me to keep it hidden. Two days later, Grant said he had run away.”
“Did you believe him?”
“I was fourteen. My mother believed him because she had bills and two younger children.”
“Why work for Grant now?”
Her mouth tightened. “Because he owns half the town and my family still eats.”
The key opened a locker at the old bus station. Inside was a digital voice recorder sealed in a plastic bag.
Clara pressed play.
Harlan's voice emerged beneath the hiss of bad wiring.
“Grant, the girl is not supposed to be there.”
Grant answered, “Then move her before the crash report becomes a problem.”
I stopped the recording.
“What girl?”
Clara shook her head. “I don't know.”
“You kept this for twelve years.”
“I kept it because my father told me that if he didn't come back, the girl would be the reason.”
Maya joined us with a folder from the county archives. She had found a property transfer showing that Grant had bought the abandoned quarry one week after Mom's death.
“The girl may have been a witness,” Maya said.
Clara stared at the papers. “My father said Grant was moving someone through the quarry.”
“Someone alive?” I asked.
“He didn't say.”
That night, someone entered my motel room. Nothing was stolen. The cookie tin sat open on the bed, though I had locked it in the trunk of my car.
A note lay inside.
Stop asking about the girl.
I called Detective Ada Ruiz, whom I had met once at a records conference. She had transferred to Cedar Vale County after exposing misconduct in a neighboring department. When she arrived, she studied the note without touching it.
“Grant has friends in this building,” she said. “You should move.”
“Can you protect me?”
“I can document what happens. Protection takes more people than one detective.”
“Why are you helping me?”
She looked at the photograph of my mother's car. “Because my father was a mechanic. He taught me what brake damage looks like. The photographs in that report were not taken at the scene.”
That was the first time an officer had confirmed what I had feared.
Ada opened a second folder. “There is another problem. Your mother did not die at the quarry or on the way there. Her car was moved after the collision.”
“How do you know?”
“A tow operator named Mel Rusk kept a private log. He wrote that the driver's door had been opened before he arrived. He also wrote that a woman was seen walking uphill from the barrier.”
“A woman?”
“He assumed it was a bystander.”
“Did he identify her?”
Ada hesitated. “He described a red raincoat.”
The raincoat from Mom's storage unit.
Maya leaned forward. “If Mara survived the crash, where did she go?”
Ada closed the folder. “That is what we need to find out.”
The next morning, Clara called me from a blocked number.
“I remembered the girl,” she said.
“Who was she?”
“She wasn't a girl.”
“What?”
“She was a woman. She was bleeding, and she kept saying one name.”
My heart began to pound.
May you like
“What name?”
Clara whispered, “Eli.”